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| Home Study Courses by Mike Longo | ||||||||||||||||||||||
Functional Re-harmonization Introducing The New Book By Mike Longo |
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| At
last! A fascinating new technique that shows you exactly how to come up
with the most unique and wonderful chord progressions you ever imagined
possible.
By ordering promptly, you can save a full $5.00
off the regular |
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Theory and Musicianship for the Creative Jazz Improviser You get a complete course of study which is clearly presented in easy-to-understand terms. This is a must for the creative player, as the book virtually guides you through one of the most comprehensive self-improvement courses ever devised for creative musicians. You learn how to analyze tunes properly, how to manipulate the harmony of a tune, how to understand key centers, the principles behind modulation, and many more of the skills necessary as a foundation for improvised music.Don't let a lack of musicianship hold you back. You receive over 200 pages of information with homework assignments and over 200 notated examples. |
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Voicing and Voice Leadings for the Contemporary Jazz Pianist You will amaze yourself with the ease with which you can manipulate the most richly rewarding harmonic textures as a result of this course of study. You learn all of the voice leading techniques along with the practical application of them to your own music. Although the book is primarily for pianists, it is an excellent approach for horn players whoneed to learn the basics of keyboard harmony. For more information, click here. |
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Systematic Harmonic Substitution You will wish you had known about this concept much sooner. You receive one of the most effective techniques for arriving at substitute chords ever devised. You will never need to go any further than this book for creative harmonic substitutes. This amazing technique has received rave reviews twice in Contemporary Keyboard magazine, and musicians all over the world have written letters of praise and gratitude for the growth and development they experienced as a result of this concept. A must for pianists, guitarists, arrangers, composers, etc. |
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Developing the Left Hand for Jazz Piano You get an actual training program for your left hand that will literally open up the "orchestral" quality of your piano playing. This book teaches you various textures for the left hand and provides exercises to develop these on an involuntary level. Comes with clearly notated examples so that you are fully aware of how to apply the knowledge in the course to your own jazz playing. |
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How to Sight Read Jazz and Other Syncopated-Type Rhythms, by Mike Longo This fascinating new training program can have you reading rhythm like a pro in a matter of weeks by simply following the regimen outlined in the course. You will gain amazing insights into jazz rhythm and timing as well as increase your sight-reading ability dramatically. You get clear, notated examples that explain the technique, plus 35 daily trainingexercises that employ a unique principle explained in the course. For more information, click here. |
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The Improvised Melodic Line Not only are you provided with valuable information, but you are shown how to practice so as to produce results the very next time you perform.You learn: how to use rhythm as a source of melody; how to create melody from a single tone; how to weave lines in and out of voicings as well as the tones involved in a chord progression; how to construct runs as tools to create spontaneous melody; how to use the entire chromatic universe through the use of modes and non-harmonic material; how to negotiate the II-V pattern spontaneously rather than relying on memorized patterns; and much more. A must for any instrumentalist whoimprovises melody. Highly recommended by jazz great James Moody. You receive an entire course of study. For more information, click here. |
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The Technique of Creating Harmonic Melody for the Jazz Improviser Within just a few weeks, this amazing technique will have you improvising on tunes like "Countdown" and "Giant Steps" with ease. One of the most effective approaches around for teaching yourself to play through changes. You receive an entire course of study, with homework assignments which demonstrate step-by-step procedures for acquiring this skill effectively. A must for the serious jazz instrumentalist. For more information, click here. |
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The Complete Jazz Scale Book with Fingerings in Twelve Keys Not only do you receive the twelve major and harmonic and melodic minor scales in two octaves, you also get all of the modes and synthetic scales being used by contemporary musicians, including the Lydian Chromatic modes. You will never again have a problem with fingerings, as these scales and modes are notated in bass and treble clef, ascending and descending two octaves, with the proper piano fingerings for a twelve keys. These synthetic scales and fingerings can have a tremendous effect on your ability to hear ideas and execute them with ease. Scales like the Neapolitan major and minor and Hungarian major, as well as countless others, can send your lines in new and exotic directions. This large volume work is a must for pianists and can be used by all other instrumentalists as well. |
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Solfegg for the Creative Jazz Improviser The increase in work that opens up once you become known as a proficient sight reader will go a long way in getting rid of these fears. In New York CityÍs local 802, for instance, the older musicians who are enjoying a healthy union pension right now got there through gigs directly related to their ability to sight read. Although many musicians may be able to sight read classically oriented music, the skill of reading the kinds of rhythms demanded by jazz and other contemporary sources is lacking in many of them. If this situation is something you identify with you will be able to change this in no time with this amazing manuel. Protect your reputation. See a full course description here |
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| Educational Audio Cassettes by Mike Longo | ||||||||||||||||||||||
| Theory
and Musicianship for the Creative Jazz Improviser (four tapes) Catalogue No. 104 $37.50 For more information Click Here. |
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| Systematic
Harmonic Substitution Catalogue No. 106 $11.95 Click Here |
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| The
Improvised Melodic Line (two 90-minute tapes) Catalogue No. 107 $24.95 For more information Click here. |
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| Homework
Supplement for Improvising Catalogue No. 108 $24.95 Click here |
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Mini-Reports and Transcripts You can receive valuable information in this form of specialized report, which pinpoints the exact information you are seeking and presents it in a short, information-packed format. These come with notated examples which help you clearly understand the material under discussion. |
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Transcript of question/answer session with Oscar Peterson. Secrets of how to develop different aspects of piano playing are revealed. |
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How to write bass parts for piano duo or trio
-- by Benjamin F. Brown.
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| Ear Training Books | ||||||||||||||||||||||
| Basic
Bass Rhythm and Blues -- by Dizzy Reece Catalogue No. 110 $18.40 |
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Guitar Books by Adam Rafferty
How to Develop Virtuoso Single Line Technique
for Jazz Guitar (MO 111)
$29.97
click here
The Blues Book (MO 112)
$14.97 click
here
How to Develop Virtuoso Single Line Technique
for Jazz Guitar PDF download version (PDF 111)
$14.97
click here
How To Create Single Line Jazz Guitar Lines
That Outline Chord Changes (MO 113)
$29.97
click here
Virtuoso Guitar Picks-One Dozen (GP100)
$9.97 click
here