|
Have you ever been curious as to how the great jazz pianists such as Oscar Peterson, Bill Evans, Chick Corea, etc. arrive at such beautiful and rich harmonic choices? "Voicing and Voice Leading for the Contemporary Jazz Pianist" will answer this question and more , enabling you to save years of experimenting by trial and error. SECRET REVEALED Right in the very first chapter a concept is revealed which will virtually revolutionize the way you think about voicings leading to an increase in harmonic creativity that will actually surpass your expectations. NOT JUST A You get a carefully mapped out course of study with homework assignments which train your instincts to react spontaneously to any given harmonic situation. You will find yourself arriving at harmonies that inspire your higher musical sensitivity as a pianist which, as you know, can be a very gratifying musical experience. USE AS A TEACHING MANUAL Once you have digested the material in this information packed course you can use it as a guide for priavate teaching. This fantastic course will pay for itself many times over for many years to come! |
NOT JUST FOR PIANISTS Although "Voicing and Voice Leading for the Contemporary Jazz Pianist" was developed primarily for jazz pianists, it has proven to be an excellent source of information for other instrumentalists who wish to develop the fundamentals of keyboard harmony as a means of feeding their improvisational ideas on their own instruments. Saxophone and flute great James Moody, who endorses the book said:"As soon as I heard of the book, I knew I had to have one, and it proved to be exactly what I was looking for and a lot more." NEW EDITION 2002 Voicing and Voiceleading has been updated from the 181 page -- 205 notated example verzion that was released in 1983, to a new, information packed version containing 265 information packed pages with 376 notated examples. Don't delay. Order now!
| ||
|
